After 10 days of films, frocks and fizz, the 70th Cannes Film Festival is coming to an end.
The prestigious Palme d’Or is to be handed out, having been chosen from a selection of 19 films in competition.
The jury, headed by Spanish director Pedro Almodovar and including Jessica Chastain and Will Smith, select winners for acting, writing and directing too.
Film critics have given the BBC their views on the hits and misses from the festival.
Jon Frosch, reviews editor at the Hollywood Reporter, said: “My favourite was French film BPM (Beats Per Minute), about AIDS activists. It’s a really no-nonsense drama – both a group portrait of activists and a love story. It is really unsentimental, beautifully done, and would be my choice for the Palme d’Or.”
He also had praise for Good Time – a heist film set in New York about a man trying to free his brother from jail – and The Meyerowitz Stories (New and Selected), starring Dustin Hoffman, Emma Thompson and Ben Stiller, about a dysfunctional family coming together amid a crisis.
“I also really, really liked the Safdie brothers film Good Time,” said Frosch.
“It’s a very dynamically shot crime thriller with a great performance from Robert Pattinson, who has a really good Queens accent – he’s fantastic. He’s magnetic and doesn’t have any of those methody mannerisms that pretty actors can sometimes do when playing low-lifes.
“And I really liked Noah Baumbach’s The Meyerowitz Stories, which I thought was his most mellow film in a long time. Another surprise, other than Pattinson, was Adam Sandler in that movie – he was just really funny and tender.”
Finn Halligan, chief film critic at Screen Daily, said this year’s offering was not up to the standard of last year – which saw the Palme d’Or go to Ken Loach for I, Daniel Blake, with Oscar nominated Elle also debuting.
“Having seen all the competition titles, I’d say it hasn’t been a banner year – although there were some good fun films in there, like the Safdie brothers’ Good Time and Francois Ozon’s L’amant Double,” she said.
The latter film is a thriller about a model who is in a love triangle with twin brothers – and involves one of Cannes’ most explicit sex scenes ever seen.
She also had praise for You Were Never Really Here by Briton Lynn Ramsay, about a man – played by Joaquin Phoenix – trying to save a kidnapped girl, describing it as “the flip-side of Sofia Coppola’s delicate sensibilities in The Beguiled“.
That film, one of four works shown at Cannes featuring Nicole Kidman, is about an injured soldier taken in by a girls’ boarding school in the American Civil War.
But Halligan was more taken by Kidman’s role in The Killing of a Sacred Deer, where she plays the wife of a surgeon who brings a teenage boy into their home, with dangerous repercussions for the family.
“When she’s great, she’s amazing. She’s completely unadorned and playing, and looking, her age – which is not a bad thing, but done in a really realistic way. It’s her at her absolute best.”
Jason Solomons, critic for Radio 4’s Front Row and The New European, said: “It was an average, quite conservative selection this year – not a vintage year. They could really do with a bit more variety and a bit more looking forward.
“It all felt too white, too male and too Western and looking at the past. I still think we need to see more African cinema, more Chinese cinema and more Indian cinema.”
He singled out Russian films Loveless – about a warring couple searching for their missing son – and Gentle Creature, which tells the story of a woman visiting her husband in jail.
“Russian cinema was very strong this year, particularly the film Loveless which I thought was tremendous and powerful but also very funny and is a film meaty enough to win the Palme d’Or – it had that heft.
“Its director, Andrey Zvyagintsev, has been at the top of his game for a long time so it’s time to recognise that. He’s bold and brave and takes on Russia.
“Sergei Loznitsa’s Gentle Creature was rather divisive – it has two good hours, then a half hour I’d cut, with a terrible rape scene which is rather brutal, and a dream sequence that doesn’t make sense.
“I think we’ll be seeing a prize for BPM, which I found terrific. I found The Meyerowitz Stories sweet and funny, and it could see a supporting Oscar nomination for Dustin Hoffman.
“And I still don’t know what’s going to happen to the Michael Haneke film Happy End – about a bourgeois family living in Cannes. I don’t know if it’s a bad film or absolute genius. I’m not sure if it’s the film to win Haneke his third Palme d’Or.”
That answer, and the winners of all the other awards, will be revealed on Sunday night.